The powerful oeuvre of Belgian Expressionist James Ensor (1860-1949) is a complete masquerade: a crazy procession of grotesque figures, masked faces, daubed female visages, skeletons and giant

How did Piet Mondrian interpret one of the most popular religious scenes in early Western art? What did the figure of Christ mean to James Ensor? This exhibition offers some unexpected angles on the

In the brief period between 1885 and the outbreak of war in 1914 painting in the Low countries experienced a modern Renaissance. Colour was liberated from the chains of visual reality. Suddenly, grass

Museum exhibition

“Horrible things frequently also have a funny side.” This is how Aaron van Erp (b. 1978) explains how his paintings, despite their often brutal subjects, can raise a laugh thanks to