Hans van Bentem (b. The Hague, 1965) uses his unbridled imagination and energy to create a constant stream of artworks, each more brilliant, coruscating and colourful than the last.

Kunstmuseum Den Haag shows a group of graphic works by Herman Gordijn in relation to an element of his oeuvre that has never before been exhibited: his theatre designs. Visit the exhibition: Herman Gordijn - The World as a Stage, until August 25, 2024.

Flemish artist Théo van Rysselberghe (1862-1926) is one of the most important figures in the field of Neo-impressionism. He introduced the Pointillist technique of Seurat and Signac in Belgium and

‘I am clay’. This statement by the ceramicist Vilma Henkelman (1944-2023) makes it clear how much she identified with this material. Informed by feminism, Henkelman freed clay from connotations of

‘The food of one person is enough for two, the food of two is enough for four, and the food of four is enough for eight.’

This is the English translation of the saying in Arabic that Hague designer

Recently, Kunstmuseum Den Haag received a large donation of ceramic objects by artist Harm Kamerlingh Onnes from a private collector. With his whimsical visual idiom, the artist’s ceramic objects

A new art for a new, improved society. That is what many artists and designers were seeking around 1900. After a century of styles that literally quoted the past, a new form language emerged, based on

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