Jürgen Partenheimer (b. Munich, 1947) is one of the most striking, philosophical and most literary artists of our day. His work is renowned for its minimalistic but highly poetic visual idiom. Early

The Vincent Award Room is a compact space that lends itself to unusual presentations. Over the next few years, it will be used to bring parts of the in-house collection of the Gemeentemuseum Den Haag

Austrian artist Egon Schiele’s intriguing Portrait of Edith (1915) is the point of departure for Edith as Muse, a project by Puck Verkade (b. The Hague, 1987).

Hans van Bentem (b. The Hague, 1965) uses his unbridled imagination and energy to create a constant stream of artworks, each more brilliant, coruscating and colourful than the last.

Marie Kuyken (1898–1988) has remained one of the Netherlands’ most neglected designers, in part because so few of her colourful and imaginative ‘cloisonné panels’ have survived. But that is about to

A hundred years ago, before the building that currently houses Kunstmuseum Den Haag existed, director Hendrik van Gelder was collecting ‘world ceramics’. He was keen to show the non-western sources

This small presentation will combine the work of pointillists like Toorop, Signac and Van Rysselberghe with that of 18th-century glass engravers Greenwood, Wolff and Schoumans and 17th-century

De Ateliers in Amsterdam has long enjoyed a close relationship with Gemeentemuseum Den Haag, a relationship which was affirmed last year through De Ateliers DEBUT SERIES. As part of a three-year