Jürgen Partenheimer (b. Munich, 1947) is one of the most striking, philosophical and most literary artists of our day. His work is renowned for its minimalistic but highly poetic visual idiom. Early

The Vincent Award Room is a compact space that lends itself to unusual presentations. Over the next few years, it will be used to bring parts of the in-house collection of the Gemeentemuseum Den Haag

Austrian artist Egon Schiele’s intriguing Portrait of Edith (1915) is the point of departure for Edith as Muse, a project by Puck Verkade (b. The Hague, 1987).

Hans van Bentem (b. The Hague, 1965) uses his unbridled imagination and energy to create a constant stream of artworks, each more brilliant, coruscating and colourful than the last.

British artist Grayson Perry (b. 1960), winner of the Erasmus Prize, works with a great variety of techniques and materials, and refers to himself as the “transvestite potter”. His art is provocative

De Ateliers in Amsterdam has long enjoyed a close relationship with Gemeentemuseum Den Haag, a relationship which was affirmed last year through De Ateliers DEBUT SERIES. As part of a three-year

‘I had to experience how it would be if someone beside me suddenly fell over and died from a direct hit. I needed to experience it directly. I wanted to. So I’m not a pacifist at all – or am I?’

Defiant, socially critical narratives presented with humour and recognisable elements from art history and popular culture, in a whole range of colours: that defines the work of Nicole Eisenman (they