In the brief period between 1885 and the outbreak of war in 1914 painting in the Low countries experienced a modern Renaissance. Colour was liberated from the chains of visual reality. Suddenly, grass

We are familiar with the clichés surrounding the emergence of Impressionism. The Impressionists are believed to have broken radically with tradition, bearing no resemblance whatsoever to their

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A world without borders or constraints. People freed from work and able to play and travel at will. Constant Nieuwenhuys (1920 – 2005) expressed his ideas for a new world in one of the largest and

‘This was the chance of a lifetime’, says director Benno Tempel of the museum’s acquisition of two seventeenth-century Delftware flower pyramids. ‘Very few flower pyramids have survived intact over...

This winter the Gemeentemuseum is proud to present the first ever Dutch retrospective of work by Christian Schad (1894-1982), a key figures in the German Neue Sachlichkeit (New Objectivity) movement

The Sammlung Lafrenz from Hamburg – in which Minimal Art is well-represented – enters in this exhibition into dialogue with works from the museum’s own collection.

Works of art by, for instance, Sol

Light is created by means of colour against a black, white or coloured ground. Steven Aalders (b. 1959) produces paintings that are simple in form but complex in their handling of colour. They are