Wojciech  Weiss (1875-1950) is perhaps the most important of all early twentieth-century Polish artists. Like his contemporaries Mondrian and Kandinsky, he looked for new ways to integrate

“Imagine the life of Frida Kahlo yoked to the eye of Edvard Munch, and you’ll begin to get the measure of this oeuvre…” (The Independent, London, 2003)

This spring the Gemeentemuseum presents the

Have you ever been to Kunstmuseum Den Haag? Past the ponds, behind the yellow brick walls of the building on Stadhouderslaan lies an extraordinary world. Our building was designed to give visitors the...

In the face of every movement that swept the art world during the first half of the twentieth century, Belgian artist Jean Brusselmans (1884 - 1953) constructed an obstinately idiosyncratic oeuvre

The early years of the nineteenth century were a time of sweeping change in the Dutch art world. Following France’s annexation of the Netherlands, King Louis Napoleon Bonaparte (r. 1806-1810)

When he died in 1992, Dutch artist César Domela left behind an oeuvre that was as substantial as it was varied. Part of it passed into the possession of his daughters, Lie Tugayé-Domela Nieuwenhuis

Publishing group VNU recently donated the painting River Landscape (1842) by Willem Roelofs to the Gemeentemuseum. This gift prompted the museum to organize an exhibition this summer of early works by