Katarzyna Kobro (1898-1951) & Władysław Strzemiński (1893-1952) met during the turbulent years that followed the October Revolution in Russia in 1917. Their paths crossed in Moscow. Kobro – a Russian

Het Gemeentemuseum Den Haag is famous for its great Mondrian collection (the biggest anywhere in the world), attractive collection of classic modern works and extensive fashion collection. However

Hans van Bentem (b. The Hague, 1965) uses his unbridled imagination and energy to create a constant stream of artworks, each more brilliant, coruscating and colourful than the last.

This summer the print room of the Gemeentemuseum houses a display of ironic and provocative textile objects and design drawings by the pioneering Dutch textile artist Anna Verweij (1935 – 1980). It is

Samuel Jessurun de Mesquita grew up in the closed world of Amsterdam’s Portuguese Jewish community. He trained at the city’s school of applied arts and state teachers’ training college.

Having

Marie Kuyken (1898–1988) has remained one of the Netherlands’ most neglected designers, in part because so few of her colourful and imaginative ‘cloisonné panels’ have survived. But that is about to

Wojciech  Weiss (1875-1950) is perhaps the most important of all early twentieth-century Polish artists. Like his contemporaries Mondrian and Kandinsky, he looked for new ways to integrate

“Imagine the life of Frida Kahlo yoked to the eye of Edvard Munch, and you’ll begin to get the measure of this oeuvre…” (The Independent, London, 2003)

This spring the Gemeentemuseum presents the