In 1961 Gaston Chaissac (1910-1964) exhibited work at Iris Clert’s renowned Paris gallery. It was enthusiastically received by all. The CoBrA artists (no longer a group by then) were the most excited

Sparkling colours and gossamer lines – the glassblowers, potters and ceramic painters of the Italian Renaissance produced the most marvellous things. It was a flourishing time of great technological

“Imagine the life of Frida Kahlo yoked to the eye of Edvard Munch, and you’ll begin to get the measure of this oeuvre…” (The Independent, London, 2003)

This spring the Gemeentemuseum presents the

In the early twentieth century, the resort of Domburg in Zeeland had a strong appeal for well-known Dutch artists like Jan Toorop, Jacoba van Heemskerck and Piet Mondrian. The exhibition at the

Young Man Red is an installation that recalls not only Alexander Calder’s mobiles, but also the work of Karel Appel and of De Stijl. Jesse Wine (b. 1983) often looks to other artists for inspiration