International art event that tries to answer the question 'What is natural, and who or what decides?'. Work on show by Ai Weiwei, Superflex and Tinkebell.

Only the best was ever good enough for the court of imperial China. It had its own special factories using the highest quality porcelain, the most virtuoso craftsmen and the finest pigments to produce

The subtle and sophisticated work of Marthe Wéry (1930-2005) owes its effectiveness to its very simplicity. It is all about the expressive power of lines, planes and colour in relation to space. This

Aprons from the fashion collection, a vegetable cart painted by Isaac Israels, a tea cosy designed by Piet Zwart and a chip fork photographed by Niels Schumm. Following the successful birdwatching and

How did Piet Mondrian interpret one of the most popular religious scenes in early Western art? What did the figure of Christ mean to James Ensor? This exhibition offers some unexpected angles on the

In 1961 Gaston Chaissac (1910-1964) exhibited work at Iris Clert’s renowned Paris gallery. It was enthusiastically received by all. The CoBrA artists (no longer a group by then) were the most excited

Together with Jan Toorop, Leo Gestel and Jan Sluijters, the Hague artist Willem van Konijnenburg represented the face of Dutch modern art abroad between the wars. A retrospective of his work is

When he died in 1992, Dutch artist César Domela left behind an oeuvre that was as substantial as it was varied. Part of it passed into the possession of his daughters, Lie Tugayé-Domela Nieuwenhuis