In the nineteenth century people still lived by the seasons. Whether it was summertime or wintertime did not matter, many people simply had to work outside whatever the weather. Between 1860 and 1900

Jorinde Voigt works methodically and with mathematical precision, filling the paper with pencil patterns drawn with broad gestures; arrows, figures, words and lines form a dynamic composition that

Holger Niehaus (b. Nordhorn, Germany, 1975) takes us to a strange world, where plants, fruit and animals congregate in serene still-lifes. Niehaus masterfully interweaves the traditional still-life

Cristóbal Balenciaga (1895 - 1972), regarded as 'le maître' among couturiers. "Haute couture is like an orchestra, for which only Balenciaga is the conductor. The rest of us are just musicians

Axel van der Kraan (b. 1949) makes woodcut prints showing a densely built-up world from which the human population seems to have vanished. All that remains is a variety of desolate urban landscapes

Birds, fantasy creatures, mythological scenes and erotic tableaux abound in the richly imaginative oeuvre of Peter Vos (1935-2010). The exhibition in the Berlage Room presents the finest autonomous

The subtle and sophisticated work of Marthe Wéry (1930-2005) owes its effectiveness to its very simplicity. It is all about the expressive power of lines, planes and colour in relation to space. This