Parallel to its ‘Vases with Spouts’ exhibition, the Gemeentemuseum presents a series of impressive photographs in which Michael Wesely (b. 1963, Munich) has explosively recorded the whole process of

Towards the end of the 19th century, artists turned their backs on history painting in favour of landscape, previously regarded as an inferior genre. In France, the Barbizon School emerged as artists

The Ouborg Prize is awarded in alternate years to a Hague artist producing work of both national and local importance. Named after Hague artist Pieter Ouborg (1893-1956), the City of The Hague’s prize

Brightly-coloured, atmospheric, wild, pleasant, flat, hilly, figurative, abstract, two and three dimensional: landscapes take all kinds of forms in modern art. From works packed with drama and emotion

A successful round of deaccessioning, most controversially involving the sale of a painting by the Russian artist Ilya Mashkov, has enabled the Gemeentemuseum to purchase a number of important pieces

Patriotism and heroism were prominent in Dutch military paintings until late in the 19th century. The exhibition Atten-SHUN! shows how the genre changed radically around 1880 under the influence of

Holger Niehaus (b. Nordhorn, Germany, 1975) takes us to a strange world, where plants, fruit and animals congregate in serene still-lifes. Niehaus masterfully interweaves the traditional still-life

Our image of Cubism is very different from that entertained by the Parisian public in the period around 1910. Then, Henri le Fauconnier was regarded as the leader of the movement.Today, Picasso