Vilma Henkelman
‘I am clay’. This statement by the ceramicist Vilma Henkelman (1944-2023) makes it clear how much she identified with this material. Informed by feminism, Henkelman freed clay from connotations of
Kunstmuseum Den Haag has a treasure chamber of over 160.000 pieces of art. Here we work on making the highlights from this collection available online.
‘I am clay’. This statement by the ceramicist Vilma Henkelman (1944-2023) makes it clear how much she identified with this material. Informed by feminism, Henkelman freed clay from connotations of
‘The food of one person is enough for two, the food of two is enough for four, and the food of four is enough for eight.’
This is the English translation of the saying in Arabic that Hague designer
Aline Thomassen (1964, Maastricht) presents large-scale works that transform the museum’s Projects Gallery into a collective of women, shown in all their strength and vulnerability. Thomassen is the
Birds that become fish, water that flows uphill, two hands drawing each other: with consummate skill, M.C. Escher would transform a blank sheet of paper into his own infinite worlds where he would