Vilma Henkelman
‘I am clay’. This statement by the ceramicist Vilma Henkelman (1944-2023) makes it clear how much she identified with this material. Informed by feminism, Henkelman freed clay from connotations of
Kunstmuseum Den Haag has a treasure chamber of over 160.000 pieces of art. Here we work on making the highlights from this collection available online.
‘I am clay’. This statement by the ceramicist Vilma Henkelman (1944-2023) makes it clear how much she identified with this material. Informed by feminism, Henkelman freed clay from connotations of
This small presentation will combine the work of pointillists like Toorop, Signac and Van Rysselberghe with that of 18th-century glass engravers Greenwood, Wolff and Schoumans and 17th-century
Comprising layer upon layer of fired glaze, the surfaces of Morten Løbner Espersen’s (b. 1965, Aalborg) internationally renowned ceramic objects are a riotous array of colours and textures. The
Aline Thomassen (1964, Maastricht) presents large-scale works that transform the museum’s Projects Gallery into a collective of women, shown in all their strength and vulnerability. Thomassen is the
From 13 April the top floor of the museum will be given over not to our curators but to seven artists -– Philip Akkerman, Tjebbe Beekman, Berlinde de Bruyckere, Marcel van Eeden, Erik Kessels, Jan
Elegant and colourful porcelain marked with a stork. You might think this could only be porcelain from The Hague, but it is in fact a clever Hague bluff from the late eighteenth century. Research in
Marie Kuyken (1898–1988) has remained one of the Netherlands’ most neglected designers, in part because so few of her colourful and imaginative ‘cloisonné panels’ have survived. But that is about to