Colourful containers in the form of elegant ladies, lavishly decorated flower holders, fruit bowls, jumping horses, human figurines, objects inspired by Chinese porcelain, cupboard sets, shoes and

Just as the Hague School artists left their studios in town to paint the surrounding countryside, so the artists of the next generation set off to explore the life of the city. Starting in the 1880s

The subtle and sophisticated work of Marthe Wéry (1930-2005) owes its effectiveness to its very simplicity. It is all about the expressive power of lines, planes and colour in relation to space. This

Retrospective of work by Dutch couturier Mart Visser (b. 1969). The items on display date from the period between 1993 and 2003 and will be drawn from private collections, including that of the

Elegant brushstrokes with an instant appeal to the imagination: Chinese characters have something truly magical about them. Not only because of their intrinsic beauty –to Western eyes at least – but

Rosemin Hendriks (Velp, 1968) uses faces – generally her own – as the starting point for her works. Each face is drawn, in mainly linear fashion, using charcoal and Conté on a large sheet of paper

The highlight of this exhibition is a selection of glass objects by Dutch artist Peter Bremers, recently donated to the Gemeentemuseum Den Haag by a private collector. Thanks to this wonderful gift

A fascinating exhibition about Dutch interior design. In the nineteenth to mid-twentieth century, Hague firms Mutters and Horrix were two of the leading furniture manufacturers in the Netherlands