For Tomas Rajlich (b. 1940), the grid is the measure of all things. Rajlich’s starting point is usually a network of horizontal and vertical lines, which he lays down and then covers with loose

Movies that Matter and Kunstmuseum Den Haag join forces for a special screening of Drawing a line on Sunday 24 March. Meet young Indian cartoonist Rachita Taneja, who fights against persecution and...

Junior, a textile doll with wild hair of straw, is seated on an Afro-Asian woven rattan peacock chair. As always, Wiebke Siem’s selection of furniture and other attributes is telling. This throne-like...

‘This was the chance of a lifetime’, says director Benno Tempel of the museum’s acquisition of two seventeenth-century Delftware flower pyramids. ‘Very few flower pyramids have survived intact over...

We have been asked how we view the controversy surrounding the fashion house Balenciaga, given the subject of our current fashion exhibition. Our exhibition is about the work in black of couturier...

Emotional vulnerability, a search for personal identity and physical change are all key characteristics of adolescence. Contemporary photographers like Paul Graham, Rineke Dijkstra, Thomas Struth and

The circle has always been an important starting point for Barbara Nanning (b. 1957). Her forms and structures derive from a circular motion that she allows to solidify in glass or ceramics. She has

Vibrant colours that appear to have been applied yesterday, rather than four hundred years ago. Based on admiration and passion for the highly skilled craftmanship of the sixteenth to eighteenth