Lee Bontecou
Since her first exhibitions at New York’s Leo Castelli Gallery in 1960 and 1962, the work of the American artist Lee Bontecou (b. 1931) has occupied an entirely individual place in contemporary art
Kunstmuseum Den Haag has a treasure chamber of over 160.000 pieces of art. Here we work on making the highlights from this collection available online.
Since her first exhibitions at New York’s Leo Castelli Gallery in 1960 and 1962, the work of the American artist Lee Bontecou (b. 1931) has occupied an entirely individual place in contemporary art
Raquel Maulwurf (Madrid, 1975) developed the installation 'The Carbon War Room’ especially for the Gemeentemuseum. It arose from the desire to physically create the depth that is evoked in her
Contemporary artworks that tell a story, convey an idea or raise a smile. Many people will not immediately associate these characteristics with silver, but the exhibition Silver Art in the Netherlands
Birds, fantasy creatures, mythological scenes and erotic tableaux abound in the richly imaginative oeuvre of Peter Vos (1935-2010). The exhibition in the Berlage Room presents the finest autonomous
Long corridors, cluttered studios and rooms devoid of human presence. Empty interiors are the subject of this latest presentation in the Vincent Award Room, in which works from the Monique Zajfen
Gustav Klimt’s gloriously erotic painting Judith I goes on show this spring at the Gemeentemuseum Den Haag. The picture is a top work from Vienna’s Belvedere museum and among the best-known examples
Wojciech Weiss (1875-1950) is perhaps the most important of all early twentieth-century Polish artists. Like his contemporaries Mondrian and Kandinsky, he looked for new ways to integrate