Rosemin Hendriks
Rosemin Hendriks (Velp, 1968) uses faces – generally her own – as the starting point for her works. Each face is drawn, in mainly linear fashion, using charcoal and Conté on a large sheet of paper
Kunstmuseum Den Haag has a treasure chamber of over 160.000 pieces of art. Here we work on making the highlights from this collection available online.
Rosemin Hendriks (Velp, 1968) uses faces – generally her own – as the starting point for her works. Each face is drawn, in mainly linear fashion, using charcoal and Conté on a large sheet of paper
A fascinating exhibition about Dutch interior design. In the nineteenth to mid-twentieth century, Hague firms Mutters and Horrix were two of the leading furniture manufacturers in the Netherlands
This second exhibition in the Hague School wing focuses on the work of Willem Mesdag. One of the best known artists of the Hague School, Mesdag specialised in seascapes and beach scenes and is
German artist Jochen Niessen (b. 1959) dramatically reverses the traditional process of painting: he applies the paint first and only then proceeds to the drawing. And he himself has no idea what that
Malachi Farrell’s room-size installations are reminiscent of the kinetic machines devised by Jean Tinguely. But whereas the purpose of Tinguely’s machines was primarily aesthetic, Farrell endows his
Originally a member of the Arte Povera movement, Italian artist Alighiero Boetti (1940–1994) soon went his own way. From the 1970s he became famous for his whimsical, colourful embroideries which he
American artist Alice Neel (1900-1984) was above all a portrait painter or, as she herself put it, a ‘collector of souls’. She painted the people around her, from her children and lovers to MoMA