Wojciech  Weiss (1875-1950) is perhaps the most important of all early twentieth-century Polish artists. Like his contemporaries Mondrian and Kandinsky, he looked for new ways to integrate

Unique exhibition showing seventeenth-century 'anatomy lesson' paintings side by side with works on similar themes by top international classic modern and contemporary artists.

Sparkling colours and gossamer lines – the glassblowers, potters and ceramic painters of the Italian Renaissance produced the most marvellous things. It was a flourishing time of great technological

The gently rounded, playful shapes in shades of white and pale pink look almost cuddly. For his Sculptissimo series, Hans Hovy (b. Amsterdam, 1953) has chosen to use two soft, translucent types of

Gustav Klimt’s gloriously erotic painting Judith I goes on show this spring at the Gemeentemuseum Den Haag. The picture is a top work from Vienna’s Belvedere museum and among the best-known examples

International art event that tries to answer the question 'What is natural, and who or what decides?'. Work on show by Ai Weiwei, Superflex and Tinkebell.

Jorinde Voigt works methodically and with mathematical precision, filling the paper with pencil patterns drawn with broad gestures; arrows, figures, words and lines form a dynamic composition that

Holger Niehaus (b. Nordhorn, Germany, 1975) takes us to a strange world, where plants, fruit and animals congregate in serene still-lifes. Niehaus masterfully interweaves the traditional still-life