Rosemin Hendriks
Rosemin Hendriks (Velp, 1968) uses faces – generally her own – as the starting point for her works. Each face is drawn, in mainly linear fashion, using charcoal and Conté on a large sheet of paper
Kunstmuseum Den Haag has a treasure chamber of over 160.000 pieces of art. Here we work on making the highlights from this collection available online.
Rosemin Hendriks (Velp, 1968) uses faces – generally her own – as the starting point for her works. Each face is drawn, in mainly linear fashion, using charcoal and Conté on a large sheet of paper
Only a handful of fashion houses belong to the select world of haute couture. Membership of the Chambre syndicale de la haute couture, which was established in 1868, is an exclusive honour subject to
Ineke Hans is well-known as a designer of products such as furniture, lamps and a modern version of the Dutch clog. She has been invited to carry out a temporary restyling of the five historic
Fourteen metres long and almost three metres high, the immense painting created by Gé-Karel van der Sterren for the Projects Gallery of the Gemeentemuseum Den Haag is certainly monumental in size. In
Every picture tells a story. Why would a person spend his whole life photographing nothing but women’s legs? Who was the mysterious woman known as Taï Aagen-Moro? What’s in Daguerre’s soup? And were
The Gemeentemuseum’s collection of twentieth-century Dutch drawings has recently been enriched by a donation of 50 drawings by Ben Akkerman (1920). In addition, the artist has donated 12 of his early
German artist Jochen Niessen (b. 1959) dramatically reverses the traditional process of painting: he applies the paint first and only then proceeds to the drawing. And he himself has no idea what that