Rosemin Hendriks
Rosemin Hendriks (Velp, 1968) uses faces – generally her own – as the starting point for her works. Each face is drawn, in mainly linear fashion, using charcoal and Conté on a large sheet of paper
Kunstmuseum Den Haag has a treasure chamber of over 160.000 pieces of art. Here we work on making the highlights from this collection available online.
Rosemin Hendriks (Velp, 1968) uses faces – generally her own – as the starting point for her works. Each face is drawn, in mainly linear fashion, using charcoal and Conté on a large sheet of paper
After the Second World War a New Hague School arose in the shape of artists’ groups such as the Verve, Fugare and Posthoorn groups. We can now appreciate the innovative force of this movement and see
This second exhibition in the Hague School wing focuses on the work of Willem Mesdag. One of the best known artists of the Hague School, Mesdag specialised in seascapes and beach scenes and is
The Gemeentemuseum’s collection of twentieth-century Dutch drawings has recently been enriched by a donation of 50 drawings by Ben Akkerman (1920). In addition, the artist has donated 12 of his early
German artist Jochen Niessen (b. 1959) dramatically reverses the traditional process of painting: he applies the paint first and only then proceeds to the drawing. And he himself has no idea what that
Malachi Farrell’s room-size installations are reminiscent of the kinetic machines devised by Jean Tinguely. But whereas the purpose of Tinguely’s machines was primarily aesthetic, Farrell endows his
Fourteen metres long and almost three metres high, the immense painting created by Gé-Karel van der Sterren for the Projects Gallery of the Gemeentemuseum Den Haag is certainly monumental in size. In