Elegant and colourful porcelain marked with a stork. You might think this could only be porcelain from The Hague, but it is in fact a clever Hague bluff from the late eighteenth century. Research in

43.1 White symbolises innocence and chastity and is the colour of supreme purity. Angels wear white robes, Christening gowns are white and, since the Renaissance, brides from noble families have...

 

It has graced The Hague’s Bezuidenhoutseweg since 1966: Hans Arp’s (1886-1966) four-metre tall sculpture Scrutant l’horizon, made in 1964. Few people know that this was the last stone sculpture

 

Comprising layer upon layer of fired glaze, the surfaces of Morten Løbner Espersen’s (b. 1965, Aalborg) internationally renowned ceramic objects are a riotous array of colours and textures. The

Marie Kuyken (1898–1988) has remained one of the Netherlands’ most neglected designers, in part because so few of her colourful and imaginative ‘cloisonné panels’ have survived. But that is about to

Wouter Dam has been one of the leading ceramicists in the Netherlands for forty years. Dam, who graduated from the Gerrit Rietveld Academy in 1980, has always related to the tradition of studio

42.1 For many centuries, yellow evoked negative – xenophobic and moralistic – associations. From the Middle Ages, it was used to identify Jews, Muslims and prostitutes. In combination with green...

Swiss artist Martin Disler is being given a free hand to exhibit his work in the museum’s Treasure Trove.