Vilma Henkelman
‘I am clay’. This statement by the ceramicist Vilma Henkelman (1944-2023) makes it clear how much she identified with this material. Informed by feminism, Henkelman freed clay from connotations of
Kunstmuseum Den Haag has a treasure chamber of over 160.000 pieces of art. Here we work on making the highlights from this collection available online.
‘I am clay’. This statement by the ceramicist Vilma Henkelman (1944-2023) makes it clear how much she identified with this material. Informed by feminism, Henkelman freed clay from connotations of
Aline Thomassen (1964, Maastricht) presents large-scale works that transform the museum’s Projects Gallery into a collective of women, shown in all their strength and vulnerability. Thomassen is the
Just how exclusive is design, and why should design classics not be copied, adapted or extended? These are the kinds of questions that fascinate Bas van Beek (b. 1974), winner of the Stokroos Ceramics
From 29 September, the Gemeentemuseum will present a major retrospective of the work of Rob van Koningsbruggen (The Hague, 1948), one of the most individual Dutch artists of recent decades.
Perversity
Colourful containers in the form of elegant ladies, lavishly decorated flower holders, fruit bowls, jumping horses, human figurines, objects inspired by Chinese porcelain, cupboard sets, shoes and
The subtle and sophisticated work of Marthe Wéry (1930-2005) owes its effectiveness to its very simplicity. It is all about the expressive power of lines, planes and colour in relation to space. This