It’s not the brushwork. It’s not the texture of the paint that immediately strikes you, it’s the magnetic cut-outs stuck on the metal background. In Beyond Freedom Bob Eikelboom (b. 1991) will show a

Gerwers creates three-dimensional objects that incorporate a secret or illusion.

This early wall plate from 1890 by Carl Frederik Liisberg (1860-1909) shows how this painter experimented with soft contours and blended colours. Bleeding of the painted image during the firing at...

Koos Breukel’s photo studio differs very little from the traditional photo studio’s that have sprung up throughout the world during the past 150 years of photography. His studio is a confined space

Since her first exhibitions at New York’s Leo Castelli Gallery in 1960 and 1962, the work of the American artist Lee Bontecou (b. 1931) has occupied an entirely individual place in contemporary art

The technique Rückriem uses most often is cutting and splitting stone along straight lines. Normally speaking, a sculptor throws away the stone that is cut or split off, and what remains is the

Hague artist Hermanus Berserik died in March at the age of eighty. Although resident for many years in Rijswijk, he was undeniably a member of the Hague art world, for example as a teacher at the

The Case for Intuition is the first exhibition organised at the museum by Wim van Krimpen, who became Director of the Gemeentemuseum on 1 September. The exhibition is a personal statement by Van