Long corridors, cluttered studios and rooms devoid of human presence. Empty interiors are the subject of this latest presentation in the Vincent Award Room, in which works from the Monique Zajfen

Sparkling colours and gossamer lines – the glassblowers, potters and ceramic painters of the Italian Renaissance produced the most marvellous things. It was a flourishing time of great technological

Wonderful historic pieces from the museum's extensive collection.

This summer the Gemeentemuseum Den Haag presents a major retrospective of the oeuvre of Haarlem painter Kees Verwey (1900 –1995) superintended by guest curator Rudi Fuchs. Ten years after the artist’s

Around 1900, Gustav Klimt began to draw inspiration from the work of Jan Toorop. Thanks to a unique collaboration with the Albertina Museum in Vienna, the Gemeentemuseum is now able to bring works by

Hendrik Willem Mesdag (1831-1915) was a leading member of the Hague School and the only one of that group to specialise in painting seascapes. As part of the Mesdag Year, this exhibition at the

Austrian artist Egon Schiele’s intriguing Portrait of Edith (1915) is the point of departure for Edith as Muse, a project by Puck Verkade (b. The Hague, 1987).

Presentation revolving around a painting entitled Day by Swiss Symbolist artist Ferdinand Hodler (1853-1918).

The painting symbolises birth, growth, light and joy and shows a young female nude sitting