Each year since 1997 a group of secondary school pupils has put together an exhibition at the Volksbuurtmuseum. They display their own paintings and written work, together with items from the

Van Gogh, Monet, Isaac Israels, Van Dongen, Jongkind, Breitner: a roll call of major artists whose works often come with the label ‘Provenance: Ivo Bouwman’. Bouwman is a Hague art dealer and

‘I had to experience how it would be if someone beside me suddenly fell over and died from a direct hit. I needed to experience it directly. I wanted to. So I’m not a pacifist at all – or am I?’

The work of Hague artist Gerard Verdijk (1934-2005) is so varied that it almost seems it must have been made by several artists. Thanks to a donation of works on paper Kunstmuseum Den Haag is now able

Less than five centimetres in diameter, yet quite unique: a lidded jar made of imperial Chinese glass. This world heritage in miniature, which is frequently used in books and articles as an example of

The confrontational art of Boris Lurie (1924 -2008) and Wolf Vostell (1932 – 1998) will be shown together for the first time in Art after Auschwitz. From the late 1950s onwards, these two artists

Timeless, trailblazing, elegant and influential – the designs of Christian Dior (1905-1957) are all of these. Just after the Second World War, he established his own house in Paris, which soon became

The Gemeentemuseum’s new book Music for the Eye features a hand-picked selection of top items from the museum’s extensive music collection. It contains descriptions and illustrations of fifty-three