It has graced The Hague’s Bezuidenhoutseweg since 1966: Hans Arp’s (1886-1966) four-metre tall sculpture Scrutant l’horizon, made in 1964. Few people know that this was the last stone sculpture

‘I am clay’. This statement by the ceramicist Vilma Henkelman (1944-2023) makes it clear how much she identified with this material. Informed by feminism, Henkelman freed clay from connotations of

This small presentation will combine the work of pointillists like Toorop, Signac and Van Rysselberghe with that of 18th-century glass engravers Greenwood, Wolff and Schoumans and 17th-century

Celebrate International Women's Day on 7 and 8 March with tours, films, and workshops at the Kunstmuseum & Fotomuseum Den Haag.

From 13 April the top floor of the museum will be given over not to our curators but to seven artists -– Philip Akkerman, Tjebbe Beekman, Berlinde de Bruyckere, Marcel van Eeden, Erik Kessels, Jan

Directors Ms Margriet Schavemaker (director) Mr Paul Broekhoff (managing director) Management team Mr Doede Hardeman (head of collections) Mr Daniel Koep (head of exhibitions) Ms Jet van Overeem (head...

Elegant and colourful porcelain marked with a stork. You might think this could only be porcelain from The Hague, but it is in fact a clever Hague bluff from the late eighteenth century. Research in

 

Comprising layer upon layer of fired glaze, the surfaces of Morten Løbner Espersen’s (b. 1965, Aalborg) internationally renowned ceramic objects are a riotous array of colours and textures. The