‘This was the chance of a lifetime’, says director Benno Tempel of the museum’s acquisition of two seventeenth-century Delftware flower pyramids. ‘Very few flower pyramids have survived intact over...

We have been asked how we view the controversy surrounding the fashion house Balenciaga, given the subject of our current fashion exhibition. Our exhibition is about the work in black of couturier...

Exhibition of work by Austrian artist Siegfried Anzinger (b. 1953, Weyer). Although he is generally regarded as a member of the German Neue Wilden (Neo-Expressionists), his work is less ironic and

Célio Braga (b. 1963, Guimarânia, Brazil) makes emotionally charged and highly layered work that stimulates our sense of touch. Themes like love, sexuality, comfort and religion meet in fragile

Kunstmuseum Den Haag presents the first survey of all schenkers (‘pouring vessels’) created by Dutch designer Aldo Bakker (b. 1971). It was Bakker himself who coined the term ‘schenker’, from the

How did Piet Mondrian interpret one of the most popular religious scenes in early Western art? What did the figure of Christ mean to James Ensor? This exhibition offers some unexpected angles on the

Kunstmuseum Den Haag had not been open for long before war broke out, yet the building was at risk of demolition when the Atlantic Wall was built. Fortunately, it was spared this fate, though the war

Rosemin Hendriks (Velp, 1968) uses faces – generally her own – as the starting point for her works. Each face is drawn, in mainly linear fashion, using charcoal and Conté on a large sheet of paper