Juul Kraijer (b. Assen, 1970) makes elegant, calligraphic drawings reminiscent of Indian miniatures. All of them show more or less the same female model, her body depicted approximately life-size

This winter the Gemeentemuseum is proud to present the first ever Dutch retrospective of work by Christian Schad (1894-1982), a key figures in the German Neue Sachlichkeit (New Objectivity) movement

Dirk van Gelder

Dirk van Gelder (1907-1990) was one of the most important Dutch graphic artists of the twentieth century. His unprecedented technical virtuosity places him in the tradition of famous

The Vincent Award Room is a compact space that lends itself to unusual presentations. Over the next few years, it will be used to bring parts of the in-house collection of the Gemeentemuseum Den Haag

Exhibition of work by Austrian artist Siegfried Anzinger (b. 1953, Weyer). Although he is generally regarded as a member of the German Neue Wilden (Neo-Expressionists), his work is less ironic and

It’s not the brushwork. It’s not the texture of the paint that immediately strikes you, it’s the magnetic cut-outs stuck on the metal background. In Beyond Freedom Bob Eikelboom (b. 1991) will show a

Rosemin Hendriks (Velp, 1968) uses faces – generally her own – as the starting point for her works. Each face is drawn, in mainly linear fashion, using charcoal and Conté on a large sheet of paper