‘I am clay’. This statement by the ceramicist Vilma Henkelman (1944-2023) makes it clear how much she identified with this material. Informed by feminism, Henkelman freed clay from connotations of

‘The food of one person is enough for two, the food of two is enough for four, and the food of four is enough for eight.’

This is the English translation of the saying in Arabic that Hague designer

Marie Kuyken (1898–1988) has remained one of the Netherlands’ most neglected designers, in part because so few of her colourful and imaginative ‘cloisonné panels’ have survived. But that is about to

To all visitors, As a result of the extra measures introduced by the government, we will unfortunately be closed again from Thursday 5 November. As things now stand, we expect to remain closed for two...

Peter Buggenhout's exhibition Second Sight offers a preview of the footprint left by our industrial present. On show in Kunstmuseum Den Haag until November 24, 2024.

42.1 For many centuries, yellow evoked negative – xenophobic and moralistic – associations. From the Middle Ages, it was used to identify Jews, Muslims and prostitutes. In combination with green...

43.1 White symbolises innocence and chastity and is the colour of supreme purity. Angels wear white robes, Christening gowns are white and, since the Renaissance, brides from noble families have...

In addition to the museum’s brand-new exhibition programme, as the icing on the cake nine outfits from the Eurovision Song Contest will go on display at Kunstmuseum Den Haag on 5 June. The