This summer the Gemeentemuseum Den Haag presents a major retrospective of the oeuvre of Haarlem painter Kees Verwey (1900 –1995) superintended by guest curator Rudi Fuchs. Ten years after the artist’s

 

It has graced The Hague’s Bezuidenhoutseweg since 1966: Hans Arp’s (1886-1966) four-metre tall sculpture Scrutant l’horizon, made in 1964. Few people know that this was the last stone sculpture

Gemeentemuseum Den Haag has purchased a key work by American artist Paul Thek (1933-1988). Thek painted the piece, entitled Farewell to Washington Square (Self-Portrait), in 1972, shortly before...

Around 1900, Gustav Klimt began to draw inspiration from the work of Jan Toorop. Thanks to a unique collaboration with the Albertina Museum in Vienna, the Gemeentemuseum is now able to bring works by

Hendrik Willem Mesdag (1831-1915) was a leading member of the Hague School and the only one of that group to specialise in painting seascapes. As part of the Mesdag Year, this exhibition at the

Austrian artist Egon Schiele’s intriguing Portrait of Edith (1915) is the point of departure for Edith as Muse, a project by Puck Verkade (b. The Hague, 1987).

Presentation revolving around a painting entitled Day by Swiss Symbolist artist Ferdinand Hodler (1853-1918).

The painting symbolises birth, growth, light and joy and shows a young female nude sitting

Retrospective of work by Dutch couturier Mart Visser (b. 1969). The items on display date from the period between 1993 and 2003 and will be drawn from private collections, including that of the