Flemish artist Théo van Rysselberghe (1862-1926) is one of the most important figures in the field of Neo-impressionism. He introduced the Pointillist technique of Seurat and Signac in Belgium and

This small presentation will combine the work of pointillists like Toorop, Signac and Van Rysselberghe with that of 18th-century glass engravers Greenwood, Wolff and Schoumans and 17th-century

Masterpieces from the National Museum in Belgrade including items by world-famous artists like Archipenko, Bonnard, Corot, Degas, Delaunay, Denis, Derain, Van Dongen, Dufy, Gauguin, Van Gogh, Jongkind

During the second half of the 19th century, foreign artists flocked to the Netherlands. Favourite subjects were the Dutch fishing villages and their picturesque inhabitants, but the cities, provincial

We are familiar with the clichés surrounding the emergence of Impressionism. The Impressionists are believed to have broken radically with tradition, bearing no resemblance whatsoever to their

It started in the late nineteenth century: an unprecedented explosion of colour used in a completely innovative way. In France, the artists, who included Henri Matisse and Kees van Dongen, were

In the brief period between 1885 and the outbreak of war in 1914 painting in the Low countries experienced a modern Renaissance. Colour was liberated from the chains of visual reality. Suddenly, grass