They were everywhere in the nineteenth century: ornate illustrations of elegant women surrounded by stylised flowers and flamboyant swirling lines. Seven years after Czech artist Alphonse Mucha

The confrontational art of Boris Lurie (1924 -2008) and Wolf Vostell (1932 – 1998) will be shown together for the first time in Art after Auschwitz. From the late 1950s onwards, these two artists

Viewers have no choice but to engage with the work of Hague artist Navid Nuur, as he invites us to become part of something fascinating. As a result, his work sticks in the back of the mind, making us

From yellow to pastel shades of purple and green, Le Remorqueur (The Tugboat) by the French artist Auguste Herbin (1882-1960) is an ode to colour. The work from 1907 is a gift to the Kunstmuseum from

Kunstmuseum Den Haag had not been open for long before war broke out, yet the building was at risk of demolition when the Atlantic Wall was built. Fortunately, it was spared this fate, though the war

How did Piet Mondrian interpret one of the most popular religious scenes in early Western art? What did the figure of Christ mean to James Ensor? This exhibition offers some unexpected angles on the

Long before spiritual and esoteric movements like new age and mindfulness became popular in the West, the open-minded Alexej von Jawlensky (1864-1941) combined the best of different religious