Rosemin Hendriks
Rosemin Hendriks (Velp, 1968) uses faces – generally her own – as the starting point for her works. Each face is drawn, in mainly linear fashion, using charcoal and Conté on a large sheet of paper
Kunstmuseum Den Haag has a treasure chamber of over 160.000 pieces of art. Here we work on making the highlights from this collection available online.
Rosemin Hendriks (Velp, 1968) uses faces – generally her own – as the starting point for her works. Each face is drawn, in mainly linear fashion, using charcoal and Conté on a large sheet of paper
Malachi Farrell’s room-size installations are reminiscent of the kinetic machines devised by Jean Tinguely. But whereas the purpose of Tinguely’s machines was primarily aesthetic, Farrell endows his
Iranian-born artist and essayist Sam Samiee (b. 1988, Teheran) makes installations consisting of multiple paintings. He combines this two-dimensional medium with spatial objects, testing the potential
A new presentation of works from the Gemeentemuseum’s 19th-century Hague School collection, now back in the museum following a tour of venues outside the Netherlands. The new selection on display